a green & pleasant land....
the work of Emerson Mayes.
Emerson Mayes is a Yorkshire born artist who has experienced that rarest of things:
success both critical and commercial since the beginning of his career as a
painter. From the day the now 39-year-old graduated from Leeds Metropolitan
University in 1994, he has enjoyed a growing reputation for a fresh, honest and
uncontrived approach to his work. With his roots firmly in the British
landscape tradition, Emerson's work reflects his obvious passion for this vast
and complex subject. Although he strives to achieve a direct response, he is
never tied down by the 'topographical' elements in the landscape. He says,
'it's the emotional reaction and that sense of place that's most important in a
finished piece, not whether a tree is inexactly the right place'.
This is achieved by whenever possible working outside, directly from the landscape. These pieces are then brought into the studio, where they can be judged as paintings in
their own right, away from all the distractions. Some pieces take very little
extra work, others are unrecognisable and a lot never make it out of the
studio. 'It's very important that I am happy with every painting that leaves for exhibition'.
Asked when he knows a painting is finished he replies, 'it's when the sheer beauty of the landscape is balanced exactly with the absolute joy and excitement of the actual act of painting'.
Through living in the landscape where he works Emerson has developed a deep understanding and knowledge of the area where he paints. Almost all of his work is completed within a stone's throw from his home in the heart of Nidderdale.'I just love the fact that I am constantly surrounded by the landscape that inspires me. A quick glance out of the window or a walk to the village shop can really inspire and inform me. I have the river at the end of the road, the moors overlooking me and the dale sweeping down in-between, I don't really see the need to travel further afield. The important thing to me when I am painting is that I feel an emotional connection with it and it is my home county which I have that connection to.'
But it is probably the river that he has most affinity with. As a keen f ly-fisherman during the
summer months if he is not trying to paint the river he'll be stood waistdeep in the water with his brother, trying to out smart the resident brown trout, 'I'm probably not as successful in catching the fish as I should be as my concentration wanders as my eye is attracted to something I want to paint. I often hear a gasp of consternation from my brother as I miss yet another fish'.
Winning the Young Artist of the Year Award in 1995 was the first of a number of major awards he has received. This together with successful shows across the country and in
London has resulted in Emerson having an evergrowing number of loyal collectors, both private and corporate, here in Britain and worldwide. All this makes Emerson one of the most exciting young landscape painters working today.
MacLean Fine Art
September 2007
The 'FAUNA' work:
At the start of 2010 Emerson made the brave decision to not 'paint' in the calendar year and to concentrate entirely of his first love, that of drawing. He took this process a step further by honing his skills as a printmaker.
To make this a 'clean break' from painting he took up the challenge of a completely new subject - that of the wildlife that has surrounded him in the landscape for all these years. Its a subject that has never being far from his heart; many days as a child were full of excitement as he watched the birds and animals that were part of his everyday life. His main aim is to produce work that has the life and impact of the wildlife he depicts as well as retaining the artistic (quality of line, composition etc.) that takes the work beyond the mundane.
The reaction to this new work was better that he could have dreamed of, winning 'The St Cuthbert's Mill Printmaking Award' after only a couple of months. Throughout 2011, Emerson worked on a major collaboration with 108 Fine Art and the National Trust, in a project capturing twelve months spent working at Fountains Abbey and Studley Royal. This exhibition gave Emerson the perfect opportunity to bring together his landscape and wildlife work, resulting in over sixty paintings, drawings and prints capturing an artistic record of all aspects of the site.
Emerson Mayes is a Yorkshire born artist who has experienced that rarest of things:
success both critical and commercial since the beginning of his career as a
painter. From the day the now 39-year-old graduated from Leeds Metropolitan
University in 1994, he has enjoyed a growing reputation for a fresh, honest and
uncontrived approach to his work. With his roots firmly in the British
landscape tradition, Emerson's work reflects his obvious passion for this vast
and complex subject. Although he strives to achieve a direct response, he is
never tied down by the 'topographical' elements in the landscape. He says,
'it's the emotional reaction and that sense of place that's most important in a
finished piece, not whether a tree is inexactly the right place'.
This is achieved by whenever possible working outside, directly from the landscape. These pieces are then brought into the studio, where they can be judged as paintings in
their own right, away from all the distractions. Some pieces take very little
extra work, others are unrecognisable and a lot never make it out of the
studio. 'It's very important that I am happy with every painting that leaves for exhibition'.
Asked when he knows a painting is finished he replies, 'it's when the sheer beauty of the landscape is balanced exactly with the absolute joy and excitement of the actual act of painting'.
Through living in the landscape where he works Emerson has developed a deep understanding and knowledge of the area where he paints. Almost all of his work is completed within a stone's throw from his home in the heart of Nidderdale.'I just love the fact that I am constantly surrounded by the landscape that inspires me. A quick glance out of the window or a walk to the village shop can really inspire and inform me. I have the river at the end of the road, the moors overlooking me and the dale sweeping down in-between, I don't really see the need to travel further afield. The important thing to me when I am painting is that I feel an emotional connection with it and it is my home county which I have that connection to.'
But it is probably the river that he has most affinity with. As a keen f ly-fisherman during the
summer months if he is not trying to paint the river he'll be stood waistdeep in the water with his brother, trying to out smart the resident brown trout, 'I'm probably not as successful in catching the fish as I should be as my concentration wanders as my eye is attracted to something I want to paint. I often hear a gasp of consternation from my brother as I miss yet another fish'.
Winning the Young Artist of the Year Award in 1995 was the first of a number of major awards he has received. This together with successful shows across the country and in
London has resulted in Emerson having an evergrowing number of loyal collectors, both private and corporate, here in Britain and worldwide. All this makes Emerson one of the most exciting young landscape painters working today.
MacLean Fine Art
September 2007
The 'FAUNA' work:
At the start of 2010 Emerson made the brave decision to not 'paint' in the calendar year and to concentrate entirely of his first love, that of drawing. He took this process a step further by honing his skills as a printmaker.
To make this a 'clean break' from painting he took up the challenge of a completely new subject - that of the wildlife that has surrounded him in the landscape for all these years. Its a subject that has never being far from his heart; many days as a child were full of excitement as he watched the birds and animals that were part of his everyday life. His main aim is to produce work that has the life and impact of the wildlife he depicts as well as retaining the artistic (quality of line, composition etc.) that takes the work beyond the mundane.
The reaction to this new work was better that he could have dreamed of, winning 'The St Cuthbert's Mill Printmaking Award' after only a couple of months. Throughout 2011, Emerson worked on a major collaboration with 108 Fine Art and the National Trust, in a project capturing twelve months spent working at Fountains Abbey and Studley Royal. This exhibition gave Emerson the perfect opportunity to bring together his landscape and wildlife work, resulting in over sixty paintings, drawings and prints capturing an artistic record of all aspects of the site.